#so obviously there has to be some romance

[meanbossart]

Silly question inspired by your latest art (hot btw) - what would astarion's hear me out cake look like? I'd ask for du drow too but you kinda established that his type is conventionally attractive blonde people so idk if he should have a say in this

Shockingly I think Astarion may be far less superficial than DU drow. He has some commentary that leads me to believe the man has his preferences (seems to dislike gnomes*, isn't willing to remain in a relationship with a mindflayer, and has one or two lines favoring drow) but otherwise I think he means it when he says he doesn't care what you look like. My assumption is that Astarion has become quite numbed out by the concept of beauty - he recognizes it, he may even be drawn by it, but it ultimately doesn't play too much of a part in who he partners with. I would wager that his refusal to be with a Mindflayer is due to the inevitable personality and lifestyle change, as well as leftover revulsion after everything that the party has gone through during the campaign.

*I know that you can romance Astarion even as a gnome, and thank god you can. I'm glad people can have full control over the narrative and create interesting stories between their MCs and romanced character of choice, but in my personal "canon" I think Astarion is too much of an asshole to believe that a Gnome would be capable of helping him.

I do think he's attracted to power, regardless of which ending he gets or whatever shape the power is taking. Astarion recognizes that DU drow is an attractive man (weird key features aside) , but he is especially drawn to his physique, confidence, and resilience. DU drow's arrogance gets him hot under the collar as often as it irritates him - well, probably more often than it irritates him.

Regarding the Slayer form, obviously that's a pretty specific circumstance. Canon DU drow never gets it, but I know that when your Tav does, Astarion is kind of lukewarm about it and slightly encouraging of your pursuit. I think that in the scenario where DU drow does acquire it (in his Bhaalist AU) Astarion would, at least for a time, be as nervous as he would be enamored around it. It's an extraordinary example of his partner's power as a demi-god, but it's one he doesn't feel FULLY in control of. Sometimes that's exciting. Sometimes that's scary. In due time, it probably loses its luster much like everything else in that scenario.

...Sorry, I didn't engage much with the actual "hear me out" cake concept. I think Astarion could really get down with a half-orc. Definitely caught some eyefulls of Grodderick on the side here and there during ANE. Probably doesn't mind a well-built and shiny Dragonborn either but who doesn't.

[narutouzumakiarchive]

How to deal with the homophobic and horrible ss, nh, sh etc. stans? Just reading their content makes me feel gaslighted and makes me want to quit my little sns blog, because I feel isolated.

First of all, I'm sorry you feel that way. The best thing to do is honestly to just ignore them. The canon ships, in particular, are horrid and are consequently routinely subjected to lots of criticism by people outside of the carefully constructed echo chambers of canon shippers. SS/NH fans cope with this by harassing SNS shippers who have been a particular source of insecurity for the entire run of the show. There's a reason why they routinely steal from the sns dynamic to prop up their ship and have to rely on fillers and novels and databooks, etc. instead of working with the manga.

This brings me to my next point. Part of the reason they are so emboldened is because the "victors" are the ones who write the story, and they've used this to control the narrative and recontextualize what actually happened during the original run of the story. So, something you should know is that SNS fans have always been right about the core of the manga.

While there were obviously endgame SS/NH believers, the idea that Sasuke/Sakura and Naruto/Hinata were mutually in love was not a unifying factor in those fandoms.

In the Naruto Collector Book 3, there was an interview in which Kishimoto himself acknowledged the fact that Sakura and Hinata's feelings of love were unrequited. This interview is practically lost media, and is conveniently never discussed but the book is still available. The collector series has other interviews with Kishimoto as well.

But the main point is that this interview was released in 2007, long after we were already into Part 2 of the manga. This firstly debunks the idea that there was a secret budding love story that was sabotaged by SP, though you don't need any interview to tell you that Sasuke literally only thinking of Team 7 during Sakura's love confession, or Naruto not reflecting on any special moments with Hinata was proof enough of the lack of romance. More importantly, however, this is connected to my point about belief in "true love all along" was not a unifying factor in the SS/NH fandoms. Many of them were aware of this interview (see the respective examples of a SS fan and a NH fan reacting to it below) and thus spent their time taking solace in databooks and writing longwinded posts about how mutual romantic development weren't required for endgame.

What DID unite solo/multshipping SS in particular was the belief that Sasuke considered Sakura special, and thus, she would be the one who helped heal his heart. And this belief is where the real "war" between SS/SNS lied. If you look at old SNS posts, you'll see that there was never a unifying belief that SNS would be canon either, for obvious reasons. You'll notice that many posts were prefaced with some variation of "regardless of the nature of their bond...." because it wasn't so much what they were to each other rather than how significant they were to each other. You'll see a lot of posts about them transcending traditional relationship categories.

So this was the primary context in which SS and SNS fans argued. You can see below just some of the drivel that SS came up with. They have always been relentlessly insecure harassers who used to attack SNS fans for simply seeing the direction in which the manga would go.

They ignored Naruto making Sasuke's heart beat repeatedly, they ignored Naruto being tied to Sasuke's sharingan transformation — which later in the manga was explicitly called out for being the reflection of the heart that SNS fans postulated it was. They ignored the fact that Sakura was rendered fungible [a fact you can see reflected in the interview below when Kishimoto discusses what makes Team 7 special and completely evades mention of Sakura] and that Kishi usurped moments that could have been special for Sasuke and Sakura by including Naruto (eg. Sasuke bringing up not wanting Naruto to worry in the FOD, Sasuke thinking about Naruto to keep the curse mark at bay as well despite the fact that Sakura was the one who was explicitly worried about him, Sasuke including Naruto and talking about precious nakama in the fight against Gaara despite the fact that Sakura was the only one in mortal danger, etc.). They ignored the fact that Sasuke quite literally hierarchially ranked Naruto as a more intimate friend than Sakura. Harassed SNS fans for pointing out the basic setup in the manga that served to reinforce SNS fans' interpretations because they constructed a version of the manga that was wholly centered on the special and unique "bond" between Sakura/Sasuke.

All this lasted to the war arc. They twisted themselves in pretzels to argue about how Sasuke leaving Sakura to burn in lava and outright stating that her and Kakashi's lives didn't matter was him repressing his super secret feelings of care for her while attempting to downplay the mutual affection displayed in the SNS bond. Even the more "neutral" pro team 7 SS fans looked for ways to subtly denigrate SNS' bond. Sasuke makes no mentions of Sakura when the 10 tails is about to blow up the shinobi alliance? Who cares because at least Sakura's face doesn't have a cut across it (yes, they really did misinterpret pro SNS moments where Sasuke individuated Naruto as negative). And they did all this while making anti Sasunaru clubs and hiding in forums to complain about how SNS was getting too much focus in the manga (something older fans can attest to) because deep down many of them saw the writing on the wall.

Now SNS fans, on the other hand, displayed the critical reading skills that the SS fandom lacked — and I don't mean that facetiously. They picked up on the fact that it was significant that Sasuke lost control of himself when Naruto showed up. They understood the significance of Sasuke specifically asking about the status of the 9 tails given the prior context of Sasuke specifically needing to kill Naruto because he wanted to become stronger. They recognized that Naruto was specifically singled out with a cut precisely because he was special by picking up on the patterns peppered throughout the text. They also respected the Team 7 bonds established in Part 1 — they had no need to undermine it because there was a confidence in Naruto/Sasuke's relationship being special — while understanding the disadvantage in the fact that Sasuke and Sakura dynamic always included a "we" (see example from a 2008 analysis below). They knew there would be a reconciliation in which the tension between duty and desire would be resolved and would lead to Sasuke accepting his heart/inner child which would lead him to Naruto.

And lo and behold, 698 came and SNS fans were validated while SS fans were livid and angry. They complained and harassed SNS blogs and threw tantrums and cried about the manga being retconned. It's so easy for them to pretend they knew everything in hindsight, but the receipts don't lie. There has never been anyone more in denial about the core facts of the manga than SS/NH fans. Don't let them prevent you from supporting SNS. The SNS bond was validated.

Even to this day, they have never gotten over the fact that Sasuke confirmed their worst nightmares which is why they have to cope by literally cropping Naruto out of panels (Look at the 97 likes — and this is tame for them), spreading poor translations, and taking glee in the idea of Kishimoto not being the arbiter of canonicity, so they can take refuge in material not written by him, because they hate what he did write.

As I type this, they are getting made fun of in different languages and SS fans are coping by pretending that anyone who points out the dysfunction of their implied no kiss couple has has no literacy and is ignoring 700 chapters of development, the development in question being Sakura still acting infantile while Sasuke remains indifferent.

Why should you feel isolated because you want to support the main bond when SS fans even have to lie about the poorly written filler novels that were expressly created FOR them (eg. Sakura forcefully kissing Sasuke and then Sasuke immediately grabbing Naruto and leaving Sakura to fall off the motorcycle they were all riding on; A scene SS fans repeatedly lied about and repeatedly misrepresented).

Unfortunately I've nearly run out of images and I didn't even get to finish highlighting all of the lies of SS or discuss NH fans the way I wanted too but please, don't worry about the hate and the homophobia. A significant part of it is them lashing out because of insecurity.

Then and now, nothing has changed.

They hated the fact that Kishimoto wasn't concerned with Hinata's unrequited feelings and patiently waited for Sasuke to fade into oblivion so Naruto and Hinata could ride off into the sunset. When that didn't come, and Naruto prioritized Sasuke even after Hinata's confession, they took to harassing SNS fans. All they have is a retcon movie that Kishimoto wasn't even devoted to, which is why, in addition to lionizing scenes from the film, they even have to read panels incorrectly to achieve some satisfaction.

SNS is amazing and enough to keep me occupied, but another way of dealing with the hatred and homophobia (which is the main point of this post) is remembering why it's so rampant in the first place. The reason you feel gaslighted is because they are literally trying to rewrite history (these people have even lied about how much their novel sold and had to be corrected by a sale tracking account).

I haven't even scratched the surface, but you can see a few more examples here, here, here, and here. Giving in to their bullying is how the liars win. Don't let them!

[baronessvonglitter]

Law of Attraction ~ Chapter 4

Rom Con AU divorce lawyer!Dave York x fem!Reader

Word count: 2,759

Summary: You and Dave naturally become closer in a friendship comprised of two lonely people.

WARNINGS: Rated T. No smut, but there is brief mention of a fantasy (nothing described). Dave is a capital S - Simp! No physical infidelity but definitely an emotional affair. Fluff. Idiots falling in love and they don't even know it yet. No use of y/n.

Author's note: I wanted to give these two some more time together to let their romance blossom. They keep going on dates that are not dates but are totally dates. I want to thank everyone who's shown love for this lil series of mine, which is honestly such a surprise because I wrote it thinking people would pan it. I will strive to keep bringing y'all some rom com goodness 🩷

Series Masterlist

Out of sight, out of mind. But even when you're not in sight, you're still on Dave's mind.

He starts his morning early, a brisk run through the park, a shower, selecting a suit for that day, rifling through the abundance of ties he has on a spinning rack in the walk-in close he shares with Carol.

Nine times out of ten she disapproves, making a face when he comes down, swiftly putting down her tea so she can remove whatever color or print has offended her eyes and telling him which one to wear. Though he's a lawyer he's not going to argue with his wife. He goes upstairs and switches it out for the one Carol wants.

Breakfast is usually had on the go, but he makes sure the girls get to school with something nutritious in their bellies, walking them to the school doors and kissing the tops of their heads before they disappear inside. He's aware of the looks some of the mothers and even the teachers give him, and he gives a friendly wave or smile to each, but he's not thinking about their smiles and sultry 'good morning' greetings.

He thinks about you more often than he should, considering you're no longer his client. But he appreciates that you promote his services on the corkboard near the register at your bakery.

A smile stays on his face all day when you send over a thank-you gift of an assortment of bagels and muffins, complete with flavored cream cheese, butter, and jam. It's the most thoughtful thing anyone's done for him in a long time, made concrete when he spots a special blueberry muffin in a separate pastry box from the others, with a little note tucked inside:

I can't thank you enough, Dave. I'll always appreciate what you've done for me. Your name is signed on the bottom.

There's a slight scent on the paper, probably the perfume on your wrist that rubbed off as you wrote the note. He presses it to his lips just briefly.

He goes to your cafe every morning, heart racing, gut twisting with anticipation of seeing you. He subtly checks himself in the window before going in, making sure his hair looks okay and his tie is straight.

On the days he doesn't see you there, disappointment sits heavy in his chest, similar to a kind of heartbreak, as he orders his coffee and heads across the street to work.

He tries not to look overeager when he does see you behind the counter, though he feels the blood rush to his face (and even lower, if he's honest). Sure, he's found other women attractive, but he hasn't had a crush since high school.

And that's just what this is - a crush.

You're beautiful and kind and funny and smart. And single.

And he's married.

Still, it's not a crime to get a coffee and a raspberry danish just because the owner is a stunning and sweet former client.

You greet him with a smile that's different from others, special, set aside, more genuine. And he returns that smile. You've stopped insisting he doesn't need to pay, and take his credit card with a little smirk as you spy him putting money in the tip jar.

"What? Business is obviously terrible," he returns your smirk, glancing back at the line that's formed, that forms every day in fact. You haven't had a bad business day in awhile, and he's happy to be a small part of your patronage.

Every day is too much, right? It's not like you have much time to chat anyway. A quick hello, do anything fun over the weekend, hope you have a good day.

He makes the choice to go just three days a week. He's worried he might come off as a stalker, some deranged guy wanting your attention because you're single now. On the days he doesn't come to your cafe he stays at the office, puts his coffee order in with a group DoorDashing from Starbucks or Dunkin' Donuts, and it never tastes the same as yours.

It doesn't help that you're suddenly gone for a week. Then two. The last time you'd been absent was right after your breakup with that asshole Javier, and he worries about you. In between meetings and consultations, he finds your file with your phone number, but thinks twice about calling or texting you.

The next time he's at the cafe he casually asks the young man at the register, "Hey, I haven't seen the big boss in awhile," and the cashier tells him your on a vacation with your family.

He's grateful you're okay, and glad you're enjoying yourself after all you've been through so far. But it doesn't really ease the ache that gnaws at him like a fresh bruise that has yet to turn an odd color.

It takes him completely by surprise when, the next time he does see you, you pull him aside to show him your photos from the cruise you took with your parents and siblings, turquoise-polished thumb swiping gracefully over photos of you with your family posing in front of a huge cruise ship; some scenery shots of the ocean and pink sands of the Bahamas; and others of you hanging out on the pool deck sipping a fruity orange drink, a beatific smile on your lips. Dave gives a small cough when he sees one of you in your swimsuit, obviously just a selfie and not meant to be seen by him. He blushes as you click out of the photos.

"Sorry, I guess I just wanted to tell someone how it went," you tell him, putting your phone away.

"Don't be sorry. Looks like you had fun."

"I was a little seasick the first few days. It was awful," you laugh.

"I know how you feel. My wife and I took the kids on one of those Disney cruises last year, and I'd never been happier to set foot on dry land."

He asks you more about the sights, the beaches, the restaurants. There's nothing better than the smile that lights up your face as you talk about your experiences, and he hangs onto every word.

Suddenly there's a buzzing in his pocket. He reaches quickly for his phone and learns he's late for a meeting with a new client. He curses quietly. "I have to go," he apologizes. "We should catch up later."

"Lunch tomorrow?" It's hard for him to ignore the hopefulness in your voice, the notes of which sing straight into his heart.

"Tomorrow," he nods and smiles, heading out.

It's just supposed to be one lunch. Just two people who know each other and get along well. Just friends, but even Dave doesn't dare to let his mind venture too far into any further possibilities because of the fact that you're vulnerable.

Dave wants to feel guilty for monopolizing your free time, especially considering the way he feels about you. But then one lunch turns into two, and then three. and it becomes the most natural thing in the world to meet with you for an hour or so during the day. There's a significance in carving out time for each other that neither of you mention as an easy, genuine affinity blooms between you.

He's never texted another woman simply because he wants to. Everything has been business related, but he catches the way his heart skips a beat when he receives a text from you. Due to the nature of his work he keeps some privacy by only showing your name and not the message itself on his home screen. It's usually something related to your plans:

I heard that new sandwich place is really good. We should lunch there soon.

I'm trying out a new muffin recipe. Stop by tomorrow and tell me what you think.

They're featuring Monet at the museum this week and I'd love to get you in for free again!

It's not a date, but quite reminiscent of one when he does meet you on the front steps of the museum. His hand naturally rests on the small of your back, a gesture born of protectiveness and intimacy. You don't smell of roses this time, but something softer, sweeter, indefinably you. Dressed all in pink, from the casual long sleeve shirt and sequined skirt to the flowers you're idly twirling in your fingers, you look like a dream.

He never feels at peace unless he's in your presence, a fact which he tries like hell not to think about. You're not even trying to be alluring, and that's the hard part. If you'd make a move he'd politely sidestep it (or at least he tells himself he would) but you're just friendly, approachable, sweet.

You watch the art and Dave watches you. Your profile, the way your eyes squint slightly when you're really trying to see the details of the paintings, the quick pink tongue that peeks out to wet your lips now and then. And when you catch him staring at you, you have the audacity to smile, give him a playful shove. It could be your slight warning, your reminder that he's married and you're friends. But he doesn't mind the contact, as brief as it is.

As he walks you to your car it starts pouring down rain. Sans umbrella, he whisks you under the nearest canopy to wait out the sudden shower.

"How did you know I wanted to see a movie?" you tease him, and he looks up to see you're taking shelter under a marquee heralding classic films.

"Shall we?" he asks, and after purchasing two tickets you find your way inside. The theater is cozy and warm as The Apartment plays onscreen. Your fingers touch while you share the popcorn bucket, and he chuckles when you get brain freeze from your cherry icee.

"Are you okay?" he asks, slipping his arm around your shoulders. It's an involuntary act that doesn't register until he feels the warmth of your body under his touch and he tenses around you for a moment.

He's tempted to leave it there for the rest of the movie, but he knows how it would sound if someone saw him here with you and it got back to Carol. He could probably talk his way out of it if she ever questioned him, but he also knows she's so preoccupied with her own life that she'd be completely oblivious if he were to bring you home and do ungentlemanly things to you in front of her.

"What does she do?" you ask as you're sharing a post-movie snack at the cafe. It's near closing time and you've whipped up Monte Cristo sandwiches and hot herbal tea. ("I just love tea after a good rain," you'd told him, and he stashed away that little fact in his ever-growing file of you in his brain.)

"Carol's a hospital director at Mercy Memorial," he says, hoping that saying her name out loud will ward off the thoughts he's having about you.

"That sounds pretty important. A lawyer and a hospital director.." you sip your drink, letting the heat from the cup warm your hands.

"She likes taking charge and making decisions," he shrugs. "I guess you could say it suits her."

You'd brought her up simply because you felt you needed to. Spending all this extra time with someone whose wife you weren't even acquainted with was starting to feel like a secret you could never spill. You thought about all the women you know Javier had been involved with, knowing he was taken. Did they ever stop and think about you and how their actions would hurt you?

Then again, you doubt any of Javier's whores had daydreamed over Monet paintings with him, or shared a laugh over an old black and white film. They likely never ran through rain sprinkles or cooked a late night meal together.

But it doesn't necessarily make you innocent.

"What would she say about us.. hanging out?"

Dave really thinks about the question. "I don't know, " he says at last. "She might not even care."

"Don't say that," you tell him immediately. "She's been with you for so long. She obviously loves you and the girls." When Dave goes quiet over this, you fill the silence before it can become awkward. "Sorry.. I didn't mean to put a damper on our day."

Our day. Dave has to smile at the comforting sound those words have."I'm sorry," he says. "I wish I knew what was going on in Carol's head. It sometimes feels like we're in a chess match and she's playing by a different set of rules that's never existed before."

You lean forward in your seat, listening.

"She's a control freak," he says at last. "She works too much and criticizes people for what they lack. I proposed to her when I was in law school and she refused, saying she wanted to be engaged to an actual attorney. She wouldn't say yes until I passed the bar."

That should have been the first red flag, he knows that now. But he was young and in love. Carol had first dated Dave's college roommate before things went sour with them. Now he knows she just wanted to marry status.

"She hated that I changed fields. Criminal law is where most of us can make a name for ourselves, but I wanted something else. She gave me the cold shoulder for three weeks when I switched to family law." He chuckles at it now, but at the time he felt like nothing he could do was ever good enough for her. Any time he was happy she seemed to be the opposite.

"And then the kids came and every perspective I had changed. Children can bring a couple together. But more often they split you apart."

"Alice and Molly are great," you tell him, sensing he needs some positive reassurance. "They're such sweet kids."

Dave agrees smiling. "And how are you doing? How's living on your own for the first time?"

A dry, bitter chuckle leaves you. "I'm considering getting a cat. But I know I'd pick up stray after stray.. I'm continually one cat away from being the Crazy Lonely Cat Woman."

"You should get a dog," he says.

"Do you have one?"

He shakes his head. "Can't. Carol's allergic."

"Then I'll definitely get one. We'll pick out a dog together and I'll keep it at my place, and you can come and visit whenever you want."

"That actually sounds like a nice idea.."

"What kind of dog should we get? A nice golden retriever? Labradoodle? Shiba Inu?"

"I'm pretty sure that last one's made up," he smirks. And yet it feels so normal, discussing something so domestic with you, and the thought of sharing any kind of space with you sets a new beat to his heart, as if redirecting and resetting it.

Later after you've closed up he walks you to your car. There's a chill in the air and you've rolled your sleeves down. You've put the pink flowers you had from earlier that day in your purse. When you release them they fill the air between you with their fragrance. "Give these to Carol," you tell him, hating to waste the last of their beauty forgotten on your dashboard.

"And, do me another favor, Dave?" He turns back to you when you call out.

You smile, holding his gaze a little longer. "Wear blue more often. It brings out your eyes.."

Carol doesn't come home until after Dave is already awake. She either ignores or doesn't notice the flowers he left on her pillow, and it pleases him to have a reminder of you in his own bed, as if you've already made your mark on something so intimate.

Later when he comes downstairs in a navy suit and royal blue tie, he ignores Carol's critical stare as he grabs an apple from the counter.

"Darling, change something about that suit. You look like you're going to a wedding."

He shakes his head, enjoying the look on his wife's face when he refuses to comply. "I like it. Blue's my color."

"At least get that ridiculous wilted flower out of your pocket."

He pats the pink bloom you gave him the night before, a small symbol of his insubordination and leaves without saying anything, pulling out his phone to text you good morning.

dividers by @strangergraphics 👑

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[torchwood-99]

Eowyn and Romance

Something I truly appreciate about Eowyn is that she, from the start, a romantic being, and (although not explicitly so) a sexual one, as in she obviously feels both romantic and sexual desires.

Often the rebellious female lead will chafe at the prospect of marriage, only to change her mind when the "right man" comes along. I tire of this narrative, not because I begrudge female characters who dislike the idea of romance and marriage and sees hem as the antithesis to freedom, but because I loathe the narrative of them "learning a lesson" and "mending their ways".

Marriage and romance, when both are unwanted, are a denial of freedom and autonomy, and in patriarchal societies where wife is subservient to husband, particularly so.

Eowyn however associates romantic love and marriage not to a lack of freedom, but an escape to it. And this makes sense when we consider the cage that Eowyn is kept in.

Eowyn already takes on the "domestic" burden of the wife, running her uncle's household and acting as his nurse. As his niece, his adopted daughter and his subject, Eowyn is in a position of utter subservience to him. Yet as his nurse, he is dependant upon her.

This does not balance out their relationship and result in some sort of equality, it means that Eowyn has to endure all the submission of being a dependant, without the relief from obligations or duties, and all the labours and responsibilities of being a provider, without any of the authority or power.

Although Eowyn is mistress of the hall, she is not mistress of her own hall. She is not a queen, and if Theodred, later Eomer, were to wed, her rank as leading lady would be supplanted.

As Theoden's nurse, she is also carrying the burden of being the family caretaker in the family, tending to Theoden's needs, and also stifling her own unhappiness before her family in order to fulfil her duty. Emotionally she is trapped, stuck by tending to the feelings of others, as much as she is physically.

All of this has resulted in Meduseld becoming a cage for Eowyn.

To be married would be to take her away from Meduseld. To be married would be to lift her from an estate she finds demeaning. To be married would be to be mistress of her own home.

And when we look at the men she is attracted to, and the qualities that attract her, we see how different the sort of love and relationship she hopes to have are to the one she has with Theoden.

Aragorn and Faramir are strong, and powerful in a way that Theoden has not been. Eowyn's sense of identity has been tied up in Theoden, so Theoden's infirmity and, by her understanding, his "shame" has become her own, helped along by Grima's manipulation. On a more practical level, Theoden's dependency on her is extremely limiting to her own freedom and opportunities.

Eowyn is immediately attracted to Aragorn because of his power, and Faramir's strength of a warrior is one of the first things she notices about him. To be joined in a union with them would be to be associated with their power. To be married to them would be to have a function and existence beyond that off dry nurse.

While Aragorn and Faramir are noted to be fierce warriors, they're gentle too, Faramir in particular is defined more by gentleness than he is warrior prowess. He is a warrior by necessity, a nurturer by nature. As the assigned caretaker of her family, to be married to someone who would take equal (if not outright greater) responsibility for both of their physical and emotional welfare is pivotal for Eowyn to gain her freedom.

Whereas marriage is often seen as the alternative to ambition, romance an alternative to fighting, when Eowyn offers her love to Aragorn, acceptance would not have taken the form of marriage, but of joining him on his ride to the Paths of the Dead. For Eowyn, to be a warrior is to be free, and her vision of life with Aragorn is that of two warriors, side by side. That is how she envisions marriage.

Although post war Eowyn turns towards healing as opposed to slaying, Faramir acknowledges Eowyn as a warrior, and celebrates her for her deeds and her valour. And while Eowyn no longer wishes to be a shieldmaiden, taking joy "only" in the songs of slaying (that "only" suggesting that she will still take joy in them, and will maintain a part of her shieldmaiden identity), the desire to heal, to grow things, is a wish shared with Faramir, and when they embark on that journey, it's one they do as equals.

Eowyn has been pigeonholed into the role of family caretaker, and her family sees her entirely through that lens. As a result, they not only fail to see her true desires and ambitions, they not only fail to acknowledge her as a warrior, but they also fail to fully appreciate that she needs care, emotional care, in turn.

It is Eowyn's duty to give care, not receive it. It is Eowyn's duty to facilitate their deeds, not achieve her own. It is Eowyn's duty to celebrate their feats, not be celebrated in turn.

And Eowyn performs this role, she allows them to maintain this view of herself by internalising her unhappiness, her frustration and despair, because she sees it as a her duty to do so.

She finally drops the performance in front of Aragorn, and reveals to him just how as despairing she is. Aragorn does not fail to see beyond Eowyn's mask, and in his speech in the Houses of Healing shows he acknowledges both her suffering and her courage, but he does not free her.

He instructs her to resume the performance, and to try to content herself with one more doing all the labours that no one remembers, the valour that goes without renown.

Faramir meets Eowyn, and he sees she is wounded, she is sorrowful, he sees she is proud, he sees she is beautiful, he sees she is a maiden, "young and sad".

When Faramir is falling in love with Eowyn, he notices she looks "queenly", suitable for one whose deeds have put her, in Aragorn's words, on an even standing with the queens of old.

When Faramir asks Eowyn to marry him, he tells her he does not pity her, because she is a "lady high and valiant" and has performed deeds that will not be forgotten.

When Eowyn says she wishes to become a healer, and love all things that grow, Faramir eagerly agrees, and says, if she wills it, they will go to Ithilien and grow a garden there, and all things will grow with joy in Eowyn's presence.

Faramir sees all aspects of Eowyn. Eowyn the sorrowful. Eowyn the beautiful. Eowyn the queen. Eowyn the valiant. Eowyn the legend. Eowyn the healer. Eowyn the gardener.

Faramir sees all these parts of Eowyn, and one is not diminished by the other. Her valour isn't compromised by her vulnerability. Her need for care isn't compromised by her ability to lead.

This is reciprocated on Eowyn's part. Beregond bemoans that people fail to appreciate Faramir's capabilities as a warrior, because he is b nature more of a scholar and a nurturer. Eowyn immediately notices Faramir's strength and his gentleness, she is able to see the multitudes in him that she wishes to have seen in her.

It is notable she meets Faramir at a time when both of them are injured. Faramir is in a place of vulnerability as Theoden was, but Faramir is under the care of the healers. Eowyn's company helps to heal him, he wishes her to walk with him because he thinks it will be a comfort to be with her, but the bulk of his care is shared out by trained healers, for whom treating the sick is a profession, a calling perhaps, but not a familial duty that defines every facet of their existence.

Eowyn does not choose to be with Faramir in the place of choosing freedom. She chooses Faramir because the love he offers, the understanding he offers, the capabilities he possesses, will free her, in a way that Eowyn has been desiring and longing for.

[dcdreamblog]

This is a sensitive topic, so feel free not to answer, but several heroes have turned to villainy before (for example, the hero Obsidian), and I'd like to know how that's discussed in your profession's circles.

Are they still considered heroes? Most have returned to the role, but I could see some people refusing to view them as such.

Let's...take Obsidian as a sample case, just because by the fact that his and his family's identities are public we can get a bit more into the weeds without wild speculation.

(Obsidian's official portrait/poster during his original tenure in Infinity Inc)

Todd Rice and his twin sister Jennie-Lyn Hayden are the biological children of the Golden Age Green Lantern, Alan Scott and the former villainess Thorn AKA Rose Canton.

Canton was originally "cured" of her schizophrenia through prolonged treatment on Themyscira but after the HUAC trial and the passage of the Keane Act lead the Amazons to retreat from wider civilization, Canton chose to return to the world at large, seeking a fresh start despite warnings that the continued effectiveness of her treatment couldn't be guaranteed outside of Paradise Island (due mostly to "Man's World's" inability to recognize or empathetically treat a mentally ill woman in that time period, especially one with a criminal record)

Canton, under an assumed identity, romanced and eventually married Alan Scott. Only for her Rose persona to reappear during their honeymoon. Fleeing without a trace to avoid allowing Rose to kill Scott, Canton also placed the twins their honeymoon had produced up for adoption to protect them from herself.

While his sister was adopted by well meaning, imperfect parents in the suburbs of Milwaukee, Rice was raised by an abusive alcoholic who kept the truth of Rice's parentage and sister from him into his young teenage years. Escaping his household and meeting up with his sister, Rice took the name Obsidian due to the shadow controlling powers he had gained, possibly due to any number of exposures during his father's or mother's superhuman careers. Joining up with other children and proteges of the JSA, they founded the hero team Infinity Inc.

The problems arose when Rice began to manifest symptoms of his own schizophrenic disorder, exacerbated by events such as the breakup of Infinity Inc, his sister's depowering and leaving Earth alongside the modern Green Lantern, a final confrontation with his birth mother leading to her death AND Rice's unconfronted (and thus, unsupported) homosexuality.

His reunion with Scott was also not what the young man had expected, with the famously gruff and laconic Scott failing to be the emotional presence his long lost son needed. Rice was easy enough to manipulate via Scott's old enemies Ian Karkull, Mordru and Eclipso who pushed Rice into a confrontation with his adoptive father that ultimately turned deadly.

(A photograph of Obsidian, taken from the streets of Milwaukee before his battle with the Justice Society. Photographer unknown.)

The JSA at large became involved, leading to a public battle in the streets of Milwaukee where Rice and Scott came to blows directly. Rice was publically defeated and remanded into psychiatric custody of some kind (though obviously details are not forthcoming on that, nor should they be)

Next the world saw of him, Obsidian was announced as a member of the JSA's modern roster where he has remained, more or less, to this day. Obsidian was, until the return to public prominence of Extrano, the most notable gay man in the superhero community, he currently lives alongside his husband and son in Los Angeles and has been a public advocate for mental health treatment and the normalization of schizophrenia and psychotic disorders in public life, most famously saying

"If the gay thing AND the mentally ill thing hadn't both been sealed in together so long. Things would have been different." in an interview for the Justice League Queer's website.

The superheroes who "fall from grace" (as loathe I am to use that particular metaphor) and then return to it are to be, more often than not, celebrated.

One of the main things my profession exists to detail is that our protectors are, for all its wondrous complexities, human. Todd Rice happens to be a human who was struggling with an undiagnosed mental illness, unknowingly keeping himself in the closet, an abusive upbringing, the trauma inherent in superhero work, a birth father who was not emotionally available, the loss of a sibling and team who had been his only support system AND being radicalized by a trio of evil shadow wizards.

The fact that he came back to the light at ALL is nothing short of a miracle in being. He was in custody, he got treatment, he got OUT of treatment and has spent every day since saving lives and advocating for people like him to the best of his ability.

If we cannot accept that, cannot see the ineffable good in mankind the manifests in that journey with all its peaks and valleys. Then what the FUCK are any of us doing any of this for anyway?

[awsugar]

@mulkadesa exactly!!! exactly, i think this was something i was like tapping in to when i made this post but i was too sleep deprived to really get there. but exactly, like the time period is part of the reason those things will never happen again. a huge reason. but i guess the other thing that makes it soooo crazy to me! is that that time period obviously existed and like cooked these three things in such a concentrated and unique broth. to make them this way. and to make them so unique. but like that time period EXISTED! and yet it didn't cook up anything that quite matches the engaging allure and specificity and sometimes tragedy that is destiel and frerard and phan.....and people can try to argue with me about including frerard in this list but you're wrong. YOURE wrong. even ryden is probably real but it's it as prolific? no one gaf about ryden anymore. everyone knows larry is crazy. and despite all of the hemming and hawing of teenagers on the internet ALLLL of the adult mcr fans i know just KNOW that there is something to it (frerard) like. even if it's just franks emotional torment.

so like i'm just saying yes like the time period of like gay becoming mildly ok but also like the strong armed homophobia of general society created some very unique things BUT. you would just think that since that's the case that there would be more instances but there's not. like not to the scale that these are. this IS the supernatural my chemical romance fan and phil website. literally always has been.

i can't sleep my brain and body have been all fucked up this week and i'm laying here at 430 being so PLAGUED by the fact that my life's 3 main hyper fixations have been mcr spn and dnp and not only that but the fact that fiction as a whole will never have anything like destiel again, the internet will never reproduce something like phan. celebrities will NEVER be able to do frerard again. i'm not insane. these are the big 3 and not just because these are my favorite things. there are endless amounts of ships and pairings and fics and lore but literally. the specific experience of living through all of these in one lifetime. no one else will ever have that...except us

[garlic-sauc3]

trixie is such a repressed lesbian. to me.

[rapidhighway]

one of my favorite things in teen titans is robin wearing his own mask underneath the red x mask

[aroaessidhe]

2024 reads / storygraph

Asunder

slow-paced high fantasy

a woman who has a contract with an eldritch entity allowing her to see the dead & survives by taking various jobs

when a job searching for stranded smugglers in a cave goes wrong, she ends up with the soul of a dying stranger bound to her shadow

along with a scholar and her old childhood friend, they travel to his home country to find a way to unbind him and save them both

dark fantasy world with gods, demonic entities, arcane magic, and semi-sentient beasts used as transport

[kukuandkookie]

Sorry I know you worked hard on this analysis and yes it’s a very lovely and moving read and as others have said, it’s really strong and I can feel the passion—

But also…

BERYL AND SAPPHIRE MENTION??? 🥺🤧🥹

As much as I love Link Click, Beryl and Sapphire will truly always have a special space in my heart.

Especially since Link Click already has a huge fandom internationally too, but Beryl and Sapphire is more underrated globally and I tend to gravitate to loving underrated things even more loudly. But also for Link Click, it’s an objectively really strong donghua almost anyone would recommend to anyone else in a near heartbeat, while for Beryl and Sapphire, maybe it’s more flawed objectively in animation etc, but subjectively I always want to recommend it.

Anyway sorry for the Beryl and Sapphire freak out ahaha. I was just reading this and got hit in the face with them and ahhh I love them (they are actually very Shiguang energy in some arcs if people are into that!). 🥺

Also to touch briefly on why the nature of Shiguang’s relationship may be up to interpretation, I think of it as there being three layers to Chinese media in terms of queerness, mostly because censorship in China is a spectrum so it causes some discrepancies:

1) Uncensored (as much as they can be), explicit, canon BL: usually found in novels and audio dramas and manhua—examples include most popular danmei like Mo Dao Zu Shi or Erha

2) Censored but still intended to be BL and is thus canon through queer-coding (could be in the background or in the foreground): most often seen in donghua and cdramas (which unfortunately gets many BL cdramas labelled “bromance” even though they’re trying to go against censors as best as they can)—examples include the Mo Dao Zu Shi donghua adaptation or Wang Qi and Cui Bei in the background of Dalisi Rizhi or The Spirealm, a cdrama adaptation of danmei novel Kaleidoscope of Death

3) Homoerotic media that isn’t technically intended to be BL because we can’t assume the creative crews’ intentions but can be interpreted as such due to what can also be seen as queer-coding but is also still vague (not queer-baiting, because Chinese creators can’t even afford to queer-bait): most often seen in donghua and cdramas; these are what often get called “sworn brothers” in Chinese fandom, referencing a real historical tradition that’s similar to becoming “blood brothers,” and would be actually fair to call a bromance (personally, I like to call it “BL if you squint”)—for example, Link Click or the cdrama adaptation of Hikaru no Go

Censorship is horrible, but in the way humans adapt, it’s caused a unique situation for Chinese media where besides BL stories evolving to focus on genre and plot beyond just romance, relationships can be very very flexible. It’s really interesting to see, and it does make for lots of analysis potential! I think the recent cdrama The Way Home is a great example of this, as it obviously got past censors by being a story about brotherhood and family, yet everyone who watches it has raised an eyebrow at the potential gayness of it all.

That being said, sorry for derailing SLFNSKSH. I love media analyses but I don’t have anything more worthwhile than the insight you’ve already provided to share about Shiguang.

I do have some ideas about queer-coding in Chinese media in general and why real life bodies can’t portray it as much as animated or non-bodies (via audio dramas) can, which is the subject of an academic thing I’ve been trying to work on, but that’s no longer about Shiguang and Link Click itself. 😅

But it’s truly such an interesting thing to talk about it from so many possible angles!

Vortex We Took Every Breath to Follow : Shiguang and Their Companionship Through Life and Beyond

@justfrolikin I hope this will be a suitable reply to the question you asked; what I think about the nature of the bond Shiguang share.

First, a few words from me :

Even though I love engaging in fandom spaces and enjoy ship fanarts, fanfictions etc, till today my heart truly belongs to a very few ships. Shiguang is one of them. As long as one is not blinded by homophobic delusions, I enjoy discussing any kind of interpretation of my OTPs, be it 'Platonic', just friends™, romantic or whatever. But I have a fixed category (which very ironically is not quite fixed if you read the whole discussion) that fulfills my idea of true love.

for me, Love is a dialogic discourse with your existential other.

The terms I used are very loaded terms; 'dialogue' and 'other' come from the Bakhtinian philosophy of ethics, 'discourse' is a Foucauldian term and existentialism has a long postmodern and post-structuralist philosophical tradition. The reason I LOVE Link Click is because of their postmodern lens and the narratives of the characters, not only the protagonists fundamentally question what is the real purpose of life? Why do human bondings matter? The answers reside in the simplest vignette of everyday life. Grief, trauma, hope, memory, reconciliation, remembrance, love, family - these are the central themes of Link Click. Lu Guang and Cheng Xiaoshi's separate existence and their interpersonal dialogue thematically and structurally complements the main ethos of Link Click.

When asked about the nature of Shiguang relationship Director Li Haoling answered : 是生死之交咯! (Shì shēngsǐ zhī jiāo gē! - It's a life and death relationship!)

source :

Fate, mortality, death, remembrance are the building blocks of their relationship as we perceive it.

Now let me talk about something. When I first watched Link Click on September 17th, 2024, the first Intertexual connection I drew was with another text called Waiting for Godot by Samuel Beckett. Funnily enough, early in this year I wrote a crossover Hamlet adaptation (and won the second prize in a competition hehe) interweaving a few elements from Godot. Time loop, fragmentation of time and space, panopticon with no exit - all these elements featured in that. I recommend Waiting for Godot to you all, you'll understand why it resonates so much with Link Click.

Now,

Lu Guang is a person who is shown to be a character who has some mysterious powers to manipulate time and space. Even from the very beginning, he has this dominant (and sometimes seemingly monologic that feels problematic to new viewers) voice with which he guides Cheng Xiaoshi through the dives. He is apparently headstrong and has acquired all kinds of praises �� like hypocrite, selfish (lol) and what not. Again quoting Li Haoling "Lu Guang is a complex and delicate character." But after the release of 'The Eye' and 'The Lull', I think we are pretty sure that Lu Guang has been trapped in a rewind, like a Sisyphus figure. A friend of mine told me the other day, "Superficially, Lu Guang is presented as an archetypal strategist, the one who guides, the one who keeps things in control, but in reality, he has no agency whatsoever." Lu Guang lacks the fundamental agency in life (we all do but we have to accept it one day or other) and that mortifying realisation comes to him with the death of Cheng Xiaoshi. What is unacceptable to him is the most obvious outcome of a mortal life : death. Lu Guang's tragic flaw stems from this unacceptability of Cheng Xiaoshi's death and him attempting to manipulate time, very Sisyphus of him. Till now, we are yet to see Lu Guang's character traits without any reference to Cheng Xiaoshi but this does not reduce his character depth. His denial is actually very delicious ( I almost wrote a paper on this, taking the popular sci-fi trope of time travel as an allegorical and symbolic means of resistance and subversion but anyway, it's not relevant here)

Lu Guang's character makes me fall in love with the song Flash by Gorilla Attack. It is from Lu Guang's character, no one can convince me otherwise.

Just a loop A bored 'n loop Should I do this now 'til the end? Into the story As just an extra You are the reason I live But you don't remember me? Oh, can I be with you?

And

The only thing that I got, just like a little lamp I gotta go in one-way smoke Resist the lifeless scenario Become the person The person I wished for that day The room like a coffin, too bright A groove that I lost faraway Blanket, I need a blanket Not a synthetic one Notice the regret engraved so hard

And the line that keeps coming back as a haunting refrain :

Flash me, flash me Gotta get the power to rewrite I just wanna deny, I just wanna rewrite, yeah

Every time I listen to this song, these lines send a chill down my spine. But Lu Guang's obsession with 'rewrite' echoes with what my professor said to be Hamlet's constant meta-theatrical discomfort with the script, role, play he has been provided with. He does not comply with the playwright's words. Apart from time and death, I think Lu Guang's most wretched enemy is Li Haoling himself. That's why he constantly wants to 'rewrite', but all he has got till now is 'rewind'. Now whether his 'urge to rewrite' will turn into a successful 'write back' is the central play of the plot we are looking up to. What is my personal opinion on the ending?

The ending which is so dryly plausible in our real world is Lu Guang accepting his defeat and carries within him the remembrance of Cheng Xiaoshi.

But my question is, my brother in Buddhism Li Haoling, why the fuck would I watch your Link Click to know that death is the node that can't be changed? Is it not the given fact? It's a cultural text, however modern or postmodern a text might be, it ultimately uses the plot to defamiliarise and convey well known concepts and emotions with a critical engagement. A plot is just a vehicle, a crucial one, to help us have a greater and more nuanced vision of life. Due to non-linear narrative and active subversion of chronotope, complex plot will have plot twists and cliffhangers BUT it still has to perform a crucial, non negotiable role - the arc. If the beginning point and the ending point have the same temperaments, what kind of significance will it even achieve?

If Lu Guang can't write back at the end of Link Click, the structure of the plot will be like this :

1. Exposition, rising action : Cheng Xiaoshi died at the very beginning, Lu Guang is fucked.

2. Climactic stage : shit and shit and complex quantum physics, hallelujah hot villains, 'I am a great writer I can kill any character TeeeHeeeeHeeee', backstories, parallel narratives, foil characters have no relevance and rendered completely meaningless,

3. Falling action and resolution : Cheng Xiaoshi is still dead to the very ending, Lu Guang is still fucked.

No catharsis, not a milimeter of displacement from the beginning point.

What is the fucking point?! From the perspective of a writer and a critical reader, I can say it will be a sheer waste of money, time and potential. I would rather watch... whatever.

The friend I mentioned before told me, " You know why Emma or Chen Bin die? They had to die. Emma had a loving family, she got the job she wanted, she had her hardships but she didn't begin with tragedy. And when tragedy came, she was so not ready to negotiate the problem and considered self-annihilation as her first choice. She actively erased the possibility of dialogue with herself. If Emma were an orphan, struggling with unemployment and other hardships from the very beginning, I don't think Emma would die that easily. Emma was denied the conflict of life which very ironically tests human agency itself."

And for Chen Bin...during my first watch, the moment I saw him my instincts told me he was going to die. He had a loving wife, a daughter, he loved her, she accepted the proposal and they married soon. Conflict where? To bring his story to a full circle, he had to die.

I can say every parallel story in Link Click can be judged from this lens. People who had a point of conflict (the noodle lesbians, the couple who lost their child, Xu Shanshan, that old man) engaged in dialogue with themselves, others and social forces ultimately got a happy ending. Even in the earthquake episode, it's a story of reconciliation with the past, the man got his mother's photos and it's plausible and satisfying (and bittersweet resolution). He got his (absent) father back.

Another thing, we as a fandom have a collective amnesia about....*drumrolls* Cheng Xiaoshi's character! Congratulations! The man, the freaking protagonist just dies at the beginning, accepts his death, and remains dead. Doomed yaoi allegations are just nonsense. Link Click is doomed if Shiguang doesn't get a happy ending. Link Click is NOT a dramatic monologue told from Lu Guang's perspective, engaging with his perpetual trance of melancholy and him holding onto Cheng Xiaoshi's memento mori.

If Lu Guang is attempting to write back to Li Haoling and the doomed yaoi allegations, Cheng is attempting to write back to Lu Guang himself, not in confirming his own death, but saving Lu Guang from the loop of eternity and by being together. Cheng Xiaoshi is always seen to be guided by Lu Guang, he has to witness repercussions of his actions. Even with all this knowledge I will say, Cheng Xiaoshi has way more agency than Lu Guang has. During my first watch, I could feel Lu Guang has this barrier of guilt and unsettled emotions wrapped around him which denies Cheng Xiaoshi access into the deepest core of his subjectivity. Even though he achingly wishes to be together with Cheng Xiaoshi, the burden of his past actions and PTSD holds him back from being together with him, as if his existence is antithetical to Cheng Xiaoshi's existence. Cheng Xiaoshi is that glitch in the matrix that messes up Lu Guang's plans of withdrawing himself from Cheng Xiaoshi. Cheng Xiaoshi should not listen to everything Lu Guang orders. In season 1, he mostly conforms to Lu Guang's ideals, but in season 2, when Lu Guang was hospitalised, Cheng Xiaoshi became more active and you could tell a layer of barrier melted away. He was less of a stone statue, showed more emotions (the S2ep1 lmao when he said "would you prefer if I die?" abhimaan we call it), then the unique high five that feels like Lu Guang accepting Cheng Xiaoshi's proposal or something :

(LMAO ignore my comments, but what I said is true)

My point is, Cheng Xiaoshi is Lu Guang's existential other and vice versa. They cannot live without each other. They cannot exist without each other. If one dies, the other will die and I want them living happily ever after in heaven. Cause 'Break' clearly depicts them as soulmates. I personally take Break as the ultimate canonical ending

Do you see? each of them has one wing missing, meaning that it's their cumulative effort that will make them fly successfully. FYI, there is another Haoling directed, Haoliners Animation League animated canonical queer donghua called 'Beryl and Sapphire'. A separate episode, episode 13 just explores this 'one wing soulmate trope'.

Now take them as friends, platonic friends with no erotic feelings, pure familial feelings or whatever, they are like Yin and Yang, like Shiv and Shakti, and Yin changes to Yang and Yang changes to Yin actively as they interact. You will have a hard time pointing out who is who. I have watched TGCF and Beryl and Sapphire and a tiny bit of Spiritpact - all three directed by Li Haoling and I am well aware of his narrative strategy to represent soulmates and Link Click seems to be the one of the greatest (and my favourite) product of that genius mind.

I began with team Lu Guang cause he is a scorpio, I understand him, his birthday almost coincides with mine, we share some identical issues. But the fandom's often yeeting Cheng Xiaoshi out of the narrative phenomenon brought back my due attention to him. Is Cheng Xiaoshi so willing to be doomed? Does he not yearn to be with Lu Guang? Let me whisper to your ear...he yearns for him too.

so he

does understand that the person who dies...dies, death affects them the least who dies, it's the people, the family and loved ones who actually suffer. This man will leave his Lu Guang on his own volition? eh.

Also I wanna talk about Link Click's strategy of deliberate misdirection. The first and second seasons are so deliberately crafted (manipulation of narrative you can say) to actively erase Lu Guang's subjectivity and nuance. We are just denied access his perspective. He is mysterious but not that aligns itself with a viewer's emotions. In fact, during my recent re-watch, I felt "wtf Lu Guang, why are you interacting with Cheng Xiaoshi like a straight dudebro?" He is a menace, the kind I usually don't like. But there also seemed to be a critical undercurrent which I couldn't really grasp, but it was surely there. It was adding up to my increasing discomfort and made me question - "was it just my wishful projection? they do not share that bond at all." I was so pissed at that thought that I almost decided I am not gonna abandon Link Click. BUT BRO, BRO

'The Eye' and 'Lull' just blew my mind. I was not that affected by Cheng Xiaoshi's corpse advertisement agenda (that corpse is drawing people's attention who is suddenly aware of Yingdu release, great tactic, Haoling) what pleasantly brought me out of despair is Lu Guang's love for Cheng Xiaoshi was acknowledged in these songs. You will read between the lines on your own in season 1 and season 2 if you have that critical method to engage with a cultural text, but the silencing narrative was also very prominent. I very much felt that the Shiguang story is actually the central action, and not the creative sci-fi archtexual exercise of genres, which again, is just the vehicle. But The Eye and Lull focus upon them, them and them. Their emotions are acknowledged, they are no longer behind the veils of symbolism, parallel narratives, intense defamiliarisation; their emotional dialogue now not only demands a voice of their own but also has the potential to reclaim the central part of the stage as they struggle and negotiate power and agency. And I am here for it.

@guangshi-091305 I present to you my rubbish.

[bagheerita]

So I read A Stitch in Time and one result of that which I was certainly not expecting was that I feel so much sympathy for Enabran Tain. Garak's life is a tragedy, but Tain's is a fucking black comedy.

I mean, he's a terrible person and an absolute shitbag, but can you imagine? You have this kid. You go to all the trouble of arranging for him to be raised in a family situation where he won't be rejected from society for being your bastard. You get him into the nicest indoctrination school where he can hobnob with plenty of uppercrust kids. You get him a job in your Order and all the proper training. And he's actually, like, really good at it. But he has this fatal flaw of being completely incapable of not making stupid, short-sighted, emotional decisions.

A scene I imagine has to have happened just prior to Garak and Tain's confrontation at the end of part II:

Like goddamn. When Tain asked "what's your plan for getting rid of her husband?" and Garak's just like "plan what plan." Dude. I'M disappointed, I can only imagine the guy who's job it is to know and plan for everything isn't at least as disappointed.

I know he didn't actually, but do you think there was ever a time when Tain wanted to be like, You know what. Just go back to Tolan and become a gardener. Join that illegal hippie cult. It's fine.

[listen-to-the-inner-walrus]

If I could be arsed to learn how to edit videos and had some kind of mic, I would 110% make a two part video essay series on the politics of Jurassic World because MY GOD, there's so much to dissect.

The first part would be about how the park is the epitome of neoliberal futurism for techbros, including the way the park so easily falls apart though I doubt that aspect is purposeful. Everything is aesthetic first and function second, and we can't possibly use any of the reliable infrastructure we've already come up with because a train is not gonna get us to Mars, but a monorail might.

And the second would be about the buckwild terrible gender politics going on. The movie is deeply unsympathetic to Claire seemingly because she's a woman who prioritised her career as it's both centre to her character arc and also an inciting event of one of the plots. Not to mention the whole Zara thing or the Owen and Claire thing or the stupid "him, I meant him, line. The movie is rife with misogyny, but it feels like that specific misogyny was isekaied over from backlash to second wave feminism.

I could talk about it all for so long because in a way, it feels like a perfect time capsule for 2015. Back when people took Claire running in heels to be this feminist statement to be made fun of and not just a deeply misogynistic movie trying to sell you feminism. And back when Elon Musk managed to get away with his "I'm the real life Iron Man" shit, and people believed he was smart and all his plans would come to fruition. 2015 was a great time to be a tech bro in Silicon Valley with people just throwing money at all your fake promises.

Yeah. See. This is what I mean when I say I could talk about it forever.

[formal-frog-shoes]

Twiststuck stuff i just wanna get out

Im a huge Cater multi-shipper

Normally this wouldn't be a problem

BUT I CAN'T HAVE ALMOST EVERYONE IN THIS AU HAVE A FLUSH OR PALE CRUSH ON HIM THAT'S ABSURD!!!

[stevethehairington]

i am once again thinking of a good omens wicked au, but this time instead of the obvious crowley as elphaba and aziraphale and glinda, im thinking of the OPPOSITE.

im thinking of how AZIRAPHALE fits elphaba's character in that he is an outsider amongst his peers and he's a little bit awkward and he's got so much faith in the almighty/the wizard. he's got "parents" (read: god) who expect so much from him and siblings who are ashamed of him. and he's got dreams! he wants to do big things! he wants to work hand in hand with and make the almighty/the wizard proud!

and im thinking about how CROWLEY fits glindas character in the sense that he's suave and charming and people are drawn to him. he knows how to talk to them and how to get them to do what he wants, and he's the one that teaches aziraphale things about the world (a la popular, like tempting aziraphale into eating meat and drinking wine and all these very human things he never would have thought to do without crowleys influence).

im thinking of how the two of them start out absolutely loathing each other, as mortal enemies, one could say... but how over time and as they bond more and more, as they see different sides of one another, that loathing turns into something else. something just as strong, just as passionate, but softer. gentler. sweeter. it turns into love.

and of course everything gets shattered when upon meeting his idol, aziraphale learns that god isn't what he thought she was. it turns out god is just a pipe dream. all there is is a floating head, the metatron, posing as god. and not at all the great and powerful entity aziraphale believed. and the metatron CANT help aziraphale, can't fix him. and thus the downfall of aziraphale begins.

[the-knife-consumer]

Grah as someone who does sort of like zelink its just??? Disappointing? Disheartening? That people are SO hellbent on them being an explicitly romantic couple and getting mad at others for being like "oh i just see them as friends :)" and coming onto people's posts where they are portrayed as friends or just close with no romance and being like "uuuum actually theyre MARRIED theyre in a RELATIONSHIP! BC OBVIOUSLY you can NEVER share a house with someone without being married! Zelink canon 😏 cope seethe🔥" like do you understand how painfully annoying that is

[averlym]

May I please request some soft parrlyn please

morning vs night gfs